[下载]在黑暗中婀娜多姿起舞的Dead Can Dance
Dead Can Dance---Aionhttp://www.myvid.cn/UploadFile/2004-9/2004912134825190.jpg
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1. Arrival and the Reunion
2. Saltarello
3. Mephisto
4. Song of the Sibyl
5. Fortune Presents Gifts Not According to the Book
6. As the Bell Rings the Maypole Spins
7. End of Words
8. Black Sun
9. Wilderness
10. Promised Womb
11. Garden of Zephirus
12. Radharc
Amazon.com
Long before No Doubt brought back ska and Big Bad Voodoo Daddy resurrected swing, Lisa Gerrard and Brendan Perry were making music that recalled an earlier time. How early? Try the Renaissance. Everything old--really old--is new again on Aion, the band's fifth and arguably finest album. Like DCD's other discs, Aion revolves around the interplay between Gerrard's soaring glossolalia and Perry's baritone crooning. A range of styles are explored, from the polyphonic choral heights of "The Arrival and the Reunion" to the smooth balladry of "Fortune Presents Gifts Not According to the Book" to the Middle Eastern sensuality of "Radharc." Other standout tracks include the playful "Saltarello," a traditional 14th-century instrumental dance piece, and "As the Bell Rings the Maypole Spins," a strikingly melodic song carried by bagpipes and Gerrard's angelic voice. --Steve Landau
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Dead Can Dance--- Spleen and Ideal
http://www.myvid.cn/UploadFile/2004-9/2004912134825231.jpg
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1. De Profundis (Out of the Depths of Sorrow)
2. Ascension
3. Circumradiant Dawn
4. Cardinal Sin
5. Mesmerism
6. Enigma of the Absolute
7. Advent
8. Avatar
9. Indoctrination (A Design for Living)
Allmusic.com
With this amazing album, Dead Can Dance fully took the plunge into the heady mix of musical traditions that would come to define its sound and style for the remainder of its career. The straightforward goth affectations are exchanged for a sonic palette and range of imagination. Calling it "haunting" and "atmospheric" barely scratches even the initial surface of the album's power. The common identification of the duo with a consciously medieval European sound starts here — quite understandable, when one considers the mystic titles of songs, references to Latin, choirs, and other touches that make the album sound like it was recorded in an immense cathedral. Opening number "De Profundis" sets this mood so thoroughly, with bells and drones and more supporting another bravura performance from Gerrard, while the immediately following "Ascension" builds on this initial effort with further style and grace. It's limiting to think of either album or band strictly in terms of simple revivalism of old music. While the elements being drawn on are certainly of an older range, the results owe as much to the technologies of arrangement and production and a consciously cinematic feeling as much as they do antique pasts. Similarly, the feeling is not simply European but worldwide, with Gerrard's glossolalia intentionally reaching beyond easy understanding. Perry's vocal efforts are no less compelling, his own high point occurring with the vast-sounding "Enigma of the Absolute," as a steady, massive drum pound echoes behind a similarly treated guitar/harpsichord combination, tinged with a striking string arrangement. The overall feeling is of an ancient religious service suddenly brought to life in a truly modern way, with stunning results.
http://www.wwenglish.org/er/pop/Aion/01.mp3
PS.此帖没有人在这个论坛发过吧？因偶在某版发了疑似是重帖的帖。。。十年怕井绳~~~8-(:beat::beat: 哇 谢谢你 这你也能搞得到啊
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