Everything But The Girl formed in 1982. They released their debut album, 'Eden' in 1984, and their most recent album 'Temperamental' in 1999. There have been nine studio albums over the years, the most successful of which came in the mid-nineties - the million-sellers, 'Amplified Heart' (1994) featuring the worldwide No. 1, Missing, and 'Walking Wounded' (1996) which spawned four UK hits. They have had one platinum and eight gold UK albums, plus one gold US album and single. There have been thirteen UK Top 40 hit singles, and one American No. 1.
EBTG's mid-nineties peak followed Ben's year-long recovery from a near fatal illness in 1992. He wrote an account of his experience in his acclaimed 1996 biography ?'Patient: The True Story Of A Rare Illness' (A Sunday Times Book Of The Year, Finalist for the Esquire-Waterstones (UK) Best Non-Fiction Award, A New York Times Notable Book of the Year, A New York Newsday Favorite Book of the Year, A Village Voice Literary Supplement Favorite Book of the Year). Originally published by Viking/Penguin in the UK, it has seen publication in Australia, North America and in Spanish translation.
Mid-nineties highlights also included Tracey's memorable 1994 Massive Attack collaborations. As guest vocalist and writer on their second album, she brought melody and lyrics (and ultimately the subsequent album title) to the stand-out track, 'Protection'. She and Ben also co-wrote 'Better Things' for the project.
In the past five years, Ben has launched a lateral career as a club DJ and promoter, establishing his west London Sunday night, Lazy Dog (with DJ partner Jay Hannan), as one of London's most successful and popular club nights - a venture that has almost singlehandedly invented modern Sunday day-night clubbing in the capital. Lazy Dog is now a worldwide phenonemon with sell-out dates across Europe and North America. It has also inspired Ben's string of acclaimed dance remixes (Sade, Maxwell, Sunshine Anderson, Meshell Ndegeocello) and the making of 'Tracey In My Room' included on the new EBTG retrospective.
In 2002 Ben launched his own intimate west London club-bar, Cherry Jam. Both a social hub and an outlet for new talent, it offers regular music nights, exclusive events, art exhibitions and spoken word. Underground DJs and emergent indie bands play weekly. Beth Orton and Barry Adamson have launched recent albums there.
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'Every greatest hits collection seems the same: over-familiar tunes reheated and assembled in the boardroom and generally thrown at the public on a cold plate, so we thought we'd try something different,' says Tracey. 'If there was going to be a retrospective we wanted it to be a personal view. We wanted to look back on some of the stuff we've been proudest of over the past twenty years. Some of them happen to be famous hits, some are obscure B-sides. It's just our take on things, and we hope it throws a fresh light on these songs and what they mean.'
'Like The Deserts Miss The Rain' is an alternative 'best of' collection: sixteen tracks over seventy minutes culled from twenty years, selected and compiled by Ben Watt and Tracey Thorn themselves. The choices range from EBTG's breakthrough jazz-inflected hit of 1984, 'Each And Every One', through rare B-sides like Tracey's beautiful 'A Piece Of My Mind' to cornerstone album tracks such as the million-selling Amplified Heart's opener 'Rollercoaster' and big hitters like 1995's US Number 1, 'Missing'. There are limited edition remixes and Tracey singing in Portuguese!
'It is not trying to be comprehensive, it is not even trying to represent every album we have ever released,' says Ben. 'In each case it is simply a track we look back on and think, yes, that's what we meant, and it still seems to have resonance. We've also drawn a non-chronological line from the past through to the present. It is an attempt to offer a compass and a map for our journey through so many different styles and genres over the years.' Hence the latin sounds of the early eighties ('Each and Every One') rub shoulders with the futuristic drum 'n' bass bossa nova of the mid-nineties ('Corcovado' and Chicane's rerub of 'Before Today'). The still-life beauty and sexual politics of 1984's 'Mine' slide moodily into Tracey's seminal woman's-eye-view Massive Attack collaboration, 'Protection', whilst 1996's Top 10 hit, 'Wrong', is presented here in its Y2K bootleg incarnation, the floor-rocking 'Tracey In My Room'.
An accompanying retrospective DVD will also be released. Again compiled by Ben and Tracey, it features the duo's favourite EBTG video promos including the MTV-nominated 'Missing', and two clips shot by cult New York film-maker, Hal Hartley. There is also live performance footage from EBTG's 1999 London concerts (the first ever live concert footage released by the band), and an interactive chance to 'make your own EBTG video' using 20 minutes of rare documentary film shot exclusively for EBTG's most recent tour by west London imagists, Your Mum Visuals. The DVD also includes a photo gallery stretching all the way back to Ben and Tracey's early days, and for die-hards, a clutch of rare home demos. |