DJ Times: Where does the kitchen-sink approach to your music come from? Like the sample on “Broken Dreams,” where does that come from?
Buxton: It’s actually a “Spanish Holiday” record I bought in an old people’s charity shop. And that’s just kind of…well, the sample you hear at the beginning is only one side of the track because the left and the right are really separated. We just had the one sample and the flute is on one side of the recording, so we kind of stripped it out of the beginning. And now, hearing it at the beginning, it is kind of ridiculous. Just hearing the beginning of the record before, and the sample, it’s like, “That sound is lovely.” Forgetting the flute by itself, the vibe of the thing going round and round, that was cool for me. That will give me the right vibe. And with the trumpets coming in at the second half, I was really into the Buena Vista Cuban jazz, that whole thing. So it’s kind of giving it a bit of that feel and a bit of a dream feel.
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