[days of open hand,A&M,1990]
<img src="http://image.allmusic.com/00/amg/cov200/drc300/c369/c369939l27q.jpg" style="float:left">这是我唯一一张suzanne vega的专集,很少很少听。上次朋友给录的一张杂辑(就是他喜欢的歌杂七杂八的录起来)里有这首歌,我听着耳熟,想了好久才想起来原来我自己也有的。有意思的是问了几个非vega迷竟然都一口说这首"fifty-fifty chance"了不得。如何了不得?弦乐了不得。对我们这些外行来说,这就是煸情的代名词。但是这种煸情是自愿上钩的,不是强加的。其实vega的歌基本都是“平淡”的,这首也不例外,但是有了这些弦乐(好像是四重奏),竟然顿时熠熠生辉起来。其实有了这些弦乐这歌就很不“民谣”了,倒是很欧陆艺术电影的味道。——这样说不太准确,这基本是首很抑郁的歌,歌词写的是一个堕胎的女子的故事,"fifty-fifty chance(机会各半)"就指的是一个生命继续或被终止的可能。总之,这是一首直指人心的歌,你有百分之九十九的可能被触动。
顺便提一提,猜得到弦乐的arranger是谁否?竟然是Philip Glass。
by dachy
50-50 Chance
The doctor said
In the cardiac room
As she's lying in bed
There's a pan on the floor
Filled with something black
I need to know
I'm afraid to ask
I hug you
I hum to you
I've come to you
I touch you
I tell you
I love you
I sing to you
Bring to you
Anything
Her little heart
It beats so fast
Her body trembles
With the effort to last
I hug you
I hum to you
I've come to you
I touch you
I tell you
I love you
I sing to you
Bring to you
Anything
She's going home
Tomorrow at ten
The question is
Will she try it again? |